Volume, Bass, Treble and Pan speak for themselves. Valve tones, it’s equally easy to set it all Units, RTAS face compatible with CoreAudio orīias for the virtual valves. (64Mb RAM) Audio interface compatible with Once you have your basic cab and mic position set up, you can further perfect theĪrrangement with the six controls on the right. SM57 and a Sennheisser MD 421, as well as a Neumann U87 condenser and a Neumann Bottle tube condenser. Shows a picture of the mic, which could be one of three dynamics including a Shure Not available on the closed back cab emulations obviously). The five available positions are On Axis, Off Axis, Edge, Far and Back (that is The next window along shows a pictorial representation of the virtual mic position. There’s also a slider beneath the window where the cab can be enlarged up toĤ0% or reduced down by 30%, so a humble 1x12” cab could become a 1x9” or 1x17” The cabs are easily scrolled through using the up and down buttons beside the window. For each cab you summon up you will get three windows, the first of which shows a picture of the cab. You can call up a limit of eight cabs in one go if you like.

Amps are nothing without cabs, and cabs are nothing without microphones if you’re recording so it’s good to see the amount of flexibility that exists Having seen the detail in the amp modelling it came as no surprise to see an equalĪmount of care has gone into the simulation of the all important cabinet and microphone scheme. Crank this up with a bit of trem for that Twin Peaks Of country players and bluesers alike (who often use one alongside a more modernĪmp through a 4x12 perhaps). This one seems like a bit of a mix of a Fender Deluxe Reverb and a Twin Reverb, theĬlassic ‘blackface’ workhorse of the mid sixties. The inclusion of a tuner, output limiter and two virtual ‘tape decks’ with Result, and the control signals are transmitted without any MIDI or USB nonsense to worry about. There are different amp types, effects, splitters and aĪt will, and then miked up from different positions (including behind the Patches can be created by adding modules to a virtual rack, which form the The full Guitar Rig comprises the software and the Rig Kontrol foot-pedal. Think NI are the so-called bollocks of theĭog when it comes to getting a clear, fat Split (creates parallel signal paths), Quad Delay,Įmbodies the concept of software generated sound, innovation and stability Chorus+Flanger, Ensemble, Rotator, Oktaver

Guitar rig 5 preset bank